Poi

Piazza dell'Anfiteatro

Piazza dell'Anfiteatro
Photo by Irina Balashova on Pexels
Piazza dell'Anfiteatro
Photo by Wolfgang Weiser on Pexels
Piazza dell'Anfiteatro
Photo by Wolfgang Weiser on Pexels
Piazza dell'Anfiteatro
Photo by Diana ✨ on Pexels
Piazza dell'Anfiteatro
Photo by David Sams on Pexels
Piazza dell'Anfiteatro
Photo by Valentin Ivantsov on Pexels

You pass through a narrow archway — one of four cut into the ring of medieval buildings — and the city suddenly exhales into an oval. The shape is not accidental. Beneath your feet, some three metres down, lie the foundations of a Roman amphitheatre that once seated around 10,000 people.

The buildings enclosing the square follow that ancient ellipse almost exactly, their facades a palimpsest of centuries: Roman stonework absorbed into medieval walls, archways bricked up and reopened, the whole ring now lined with cafés and small shops. A cross is inlaid into the central paving, its arms pointing to the four gateways.

💛 What travellers fall for

People who come back tend to time it for early evening, when the light turns the facades a deep amber and the square fills with an easy mix of children on bikes, locals cutting through on errands, and tables spilling out from the restaurants. Igor Mitoraj's large bronze head draws a queue of photographers most afternoons — arrive before the dinner crowd if you want the square to yourself.

Good to know
The piazza is free to enter, open at all hours, and about a 15-minute walk from the train station through Porta San Pietro. Spring (May) and early autumn (September) offer the most comfortable temperatures. Summer is hot — shade at a café table becomes genuinely useful by midday.

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The story

How Piazza dell'Anfiteatro came to be

The Roman amphitheatre was begun in the 1st century AD under Emperor Claudius and completed during the Flavian period. Over the following centuries it was fortified during the Gothic Wars, stripped for building material, and gradually buried under terraced houses. The inner space served at various points as a powder magazine, a salt store, and a prison known locally as the 'grotte' — the caves.

In 1830, architect Lorenzo Nottolini cleared the buildings that had accumulated inside the oval and opened up the central arena. By October 1839 it was inaugurated as Piazza del Mercato, a working market square. The elliptical ring of buildings he left standing still traces the exact footprint of the ancient structure, and one original Roman arch — the lowest of the four gateways — survives intact.

People & landmarks

Who and what shaped it

People who shaped it

Lorenzo Nottolini
Architect who in 1830 cleared the piazza's interior and created Via dell'Anfiteatro, revealing the ancient amphitheater's elliptical form.
Emperor Claudius
Initiated construction of the Roman amphitheater in the 1st century AD.

Landmark buildings

Roman Amphitheater
1st–2nd century AD structure with capacity for ~10,000 spectators; its elliptical footprint is traced by the surrounding ring of buildings, with foundations 3 metres below ground.
Four Gateways
Medieval archways cut into the ring of buildings at the ellipse's vertices; the lowest arch is the only surviving original Roman structure.
Bronze Sculpture by Igor Mitoraj
Massive human head by Polish artist; popular contemporary landmark within the piazza.
Practical

Plan your visit

On the map

When to go

May and September are the most comfortable months to linger here: warm enough to sit outside, cool enough to walk. July and August can push well above 35°C by afternoon, though the cafés around the perimeter offer shade. Winter days are short and can be chilly, but the square is rarely crowded and the light on the stone is clear and low.

Right now

26°C
Partly cloudy
Sat
33°
25°
Sun
33°
23°
Mon
🌫️
33°
23°
Tue
🌦️
28°
23°
Weather data: Open-Meteo

Background & history adapted from Wikipedia (CC BY-SA) · specs from Wikidata (CC0) · weather from Open-Meteo · map data © OpenStreetMap contributors · photos from Wikimedia Commons / Unsplash with per-image credit. No third-party reviews or social posts reproduced.

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