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Chiesa di San Michele in Foro

Chiesa di San Michele in Foro
Photo by Wolfgang Weiser on Pexels
Chiesa di San Michele in Foro
Photo by Gotta Be Worth It on Pexels
Chiesa di San Michele in Foro
Photo by Helena Jankovičová Kováčová on Pexels
Chiesa di San Michele in Foro
Photo by Ludovic Delot on Pexels
Chiesa di San Michele in Foro
Photo by Efrem Efre on Pexels
Chiesa di San Michele in Foro
Photo by Hub JACQU on Pexels

The façade of San Michele in Foro stops you before you've finished crossing the piazza. Four tiers of small loggias rise above the roofline, each column slightly different from the last, and at the very top a four-metre bronze archangel catches the light — on certain bright days, a green glint from the statue has fed a centuries-old rumour about an emerald hidden inside. No one has ever found it.

The church stands on the exact footprint of the ancient Roman forum, which is why it carries 'in foro' in its name. That continuity runs deep here: people have been gathering on this square for the better part of two thousand years, and the steps are still occupied most afternoons by locals eating gelato.

💛 What travellers fall for

People who return tend to come back for Filippino Lippi's 1483 altarpiece — four saints arranged with quiet precision — and for the Luca della Robbia Madonna in enamelled terracotta, which glows unexpectedly in the nave's half-light. Go in the morning when the interior is emptier and the loggia columns catch the low sun from the east.

Good to know
Entrance is free. The church is a 900-metre walk from Lucca station or a short ride on the LAM Verde bus to the San Salvatore stop, 120 metres away. A wheelchair ramp runs alongside the entry staircase. Hours shift between summer and winter, so check before you go — an hour inside is usually enough.

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The story

How Chiesa di San Michele in Foro came to be

A document from 795 places a church 'ad foro' — at the forum — on this site, though the structure you see today began taking shape after 1070, when Pope Alexander II ordered a full rebuilding. The façade accumulated its current form through the 13th century, with sculptural work associated with Guidetto da Como's school, whose signature small loggias also appear on the nearby cathedral of San Martino, and possibly with Diotisalvi, who later built the Baptistry at Pisa.

For nearly three centuries, until 1370, the church served a civic as well as a sacred function: the Consiglio Maggiore, Lucca's governing assembly, met here. The bell tower's top floor was demolished in the 1360s, reportedly on the orders of the Doge of Pisa — either because it overshadowed a Pisan tower or because its bells could be heard as far as Pisa itself.

People & landmarks

Who and what shaped it

People who shaped it

Pope Alexander II
Commissioned the church's rebuilding in 1070.
Guidetto da Como
His school created the characteristic small loggias on the façade in the 13th–14th centuries.
Diotisalvi
Probably worked on façade decoration in the 13th–14th centuries.
Giacomo Puccini
Gave organ lessons to his only pupil, Carlo Della Nina, in the church.
San Divino Armeno
Armenian pilgrim (c. 1000–1050) whose body is preserved under the high altar.

Landmark buildings

Façade
13th-century structure with four orders of small loggias and a 4-metre bronze statue of St. Michael at the summit.
Bell Tower
Built 12th–14th centuries over the southern transept; top floor demolished 1364–1368 by Pisan order.
Interior artworks
Includes Madonna and Child enamelled terracotta by Luca della Robbia and 1483 Pala Magrini by Filippino Lippi.
Practical

Plan your visit

On the map

When to go

Right now

26°C
Partly cloudy
Sat
33°
25°
Sun
33°
23°
Mon
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33°
23°
Tue
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28°
23°
Weather data: Open-Meteo

Background & history adapted from Wikipedia (CC BY-SA) · specs from Wikidata (CC0) · weather from Open-Meteo · map data © OpenStreetMap contributors · photos from Wikimedia Commons / Unsplash with per-image credit. No third-party reviews or social posts reproduced.

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