Poi

Cattedrale dei Santi Pietro e Donato

Cattedrale dei Santi Pietro e Donato
Photo by Omar Ramadan on Pexels
Cattedrale dei Santi Pietro e Donato
Photo by Roberto Copernico on Pexels
Cattedrale dei Santi Pietro e Donato
Photo by Vladimir Srajber on Pexels
Cattedrale dei Santi Pietro e Donato
Photo by Andrea Mosti on Pexels
Cattedrale dei Santi Pietro e Donato
Photo by Hernan Berwart on Pexels
Cattedrale dei Santi Pietro e Donato
Photo by Ludovic Delot on Pexels

The cathedral sits at the top of Arezzo's old hill, its early-twentieth-century façade — completed between 1901 and 1914 to designs by Dante Viviani — giving little away about what accumulated inside over two and a half centuries of construction. Step through and your eyes go straight up: seven stained-glass windows by the French painter Guillaume de Marcillat fill the nave with colour the way few Italian cathedrals manage.

The building holds a remarkable density of authorship. Piero della Francesca painted a Mary Magdalene here in the 1460s. Giorgio Vasari designed the wooden choir in 1554. The cenotaph of Bishop Guido Tarlati, possibly conceived by Giotto, stands as one of the more quietly powerful funerary monuments in Tuscany.

💛 What travellers fall for

People who come back tend to time their visit for a clear morning, when the Marcillat windows — painted between 1516 and 1524 — catch direct light and the nave changes entirely. The Piero della Francesca fresco is easy to walk past; it's tucked near a pillar, small and still, worth stopping for longer than you think.

Good to know
Entry is free Monday through Saturday. The combined ticket with Palazzo Vescovile and the Diocesan Museum is worth it if you have an extra hour. The historic centre requires walking — buses stop at the lower town, and the cathedral is uphill from there. Audio guides are available in English.

Deals in Cattedrale dei Santi Pietro e Donato

Book directly at the provider
The story

How Cattedrale dei Santi Pietro e Donato came to be

The cathedral's origins lie off-site: Pope Innocent III authorised its move to the current position in 1203, away from Colle di Pionta. Pope Gregory X visited in December 1275, died in Arezzo on 10 January 1276, and left 30 gold florins toward construction. Building began formally in 1278 under Bishop Guglielmino of the Ubertini, and by the Battle of Campaldino in 1289 the apse and first two bays were already consecrated.

Progress stalled when Arezzo submitted to Florence in 1384. Bishop Guido Tarlati had earlier driven a revival of the project during his tenure from 1312 to 1327, but the main campaign didn't resume until 1471, reaching structural completion in 1511. Marcillat arrived in 1516; Vasari's choir came in 1554; Salvi Castellucci finished the ceiling frescoes in 1663. The façade, the last major intervention, was finished in 1914.

People & landmarks

Who and what shaped it

People who shaped it

Guillaume de Marcillat
French painter and stained glass artist; created seven-window cycle 1516–1517 and 1522–1524, filling the nave with colour.
Piero della Francesca
Painted Mary Magdalene fresco in the cathedral, 1460s.
Giorgio Vasari
Designed the wooden choir in 1554; also designed the stone cantoria for the Renaissance organ.
Dante Viviani
Façade designer; oversaw transformation of the front 1901–1914.
Pope Gregory X
Visited December 1275, died in Arezzo 10 January 1276, left 30 gold florins for construction.
Bishop Guglielmino of the Ubertini
Oversaw formal construction beginning in 1278.
Guido Tarlati
Bishop 1312–1327; revived construction project; his cenotaph, possibly designed by Giotto, stands in the cathedral.
Salvi Castellucci
Baroque painter; completed ceiling frescoes 1660–1663.

Landmark buildings

Stained Glass Windows by Marcillat
Seven windows painted 1516–1517 and 1522–1524; primary source of interior light and colour.
Cenotaph of Guido Tarlati
Funerary monument possibly designed by Giotto, executed by Agnolo di Ventura and Agostino di Giovanni; one of Tuscany's most powerful cenotaphs.
Renaissance Organ
16th-century work by Luca da Cortona, mounted on stone cantoria designed by Vasari.
Chapel of Madonna del Conforto
Neoclassicist chapel built 1796; houses Andrea della Robbia terracottas.
Arca di San Donato
Marble work documented 1362; executed in phases before that date.
Funerary Monument of Pope Gregory X
Early 14th-century monument honouring the pope who visited and funded construction.
Practical

Plan your visit

On the map

When to go

Right now

24°C
Partly cloudy
Sat
34°
23°
Sun
35°
22°
Mon
35°
21°
Tue
🌦️
28°
21°
Weather data: Open-Meteo

Background & history adapted from Wikipedia (CC BY-SA) · specs from Wikidata (CC0) · weather from Open-Meteo · map data © OpenStreetMap contributors · photos from Wikimedia Commons / Unsplash with per-image credit. No third-party reviews or social posts reproduced.

Top