Poi

Café de Flore

Café de Flore
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Café de Flore
Photo by Daria Agafonova on Pexels
Café de Flore
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Café de Flore
Photo by Antonio Miralles Andorra on Pexels
Café de Flore
Photo by Donal Ruane on Pexels
Café de Flore
Photo by Igor Passchier on Pexels

The red banquettes at Café de Flore have barely changed since the 1930s. The mahogany, the brass railings, the white-and-green china arriving at your table — all of it is essentially the same room where Sartre and de Beauvoir set up what amounted to a second office, and where James Baldwin ordered cognac and coffee on the upper floor while writing *Go Tell It on the Mountain*.

The café sits at the corner of Boulevard Saint-Germain and Rue Saint-Benoît, named for a nearby sculpture of Flora, Roman goddess of flowers. It opened in 1885, and the sediment of a century and a half of Paris intellectual life is somehow still present in the room.

💛 What travellers fall for

Regulars tend to arrive before nine. The left-hand tables near the entrance are, by long tradition, for people who come often. Upstairs is quieter and catches more light — the floor Baldwin used. The hot chocolate is a house specialty worth ordering even in summer, and the price of a simple espresso buys you a legitimate claim on the table.

Good to know
Take Métro line 4 to Saint-Germain-des-Prés — the café is a two-minute walk. No reservations are accepted. Avoid weekend mornings and the lunch rush between noon and two; the late-afternoon lull from three to five is the most Parisian hour to arrive. Open daily 7:30 AM to 1:30 AM.

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The story

How Café de Flore came to be

Flore opened in 1885, two years after its rival Les Deux Magots, forty-four metres up the same boulevard. Its early regulars included writers Joris-Karl Huysmans and Remy de Gourmont. By the early twentieth century, Guillaume Apollinaire was on the terrace coining the word 'surrealism' in conversation with André Breton, Louis Aragon, and Paul Reverdy. Picasso, Georges Bataille, and Raymond Queneau followed.

During the 1940s and '50s, Sartre and de Beauvoir treated the first floor as their primary workplace. Camus, Hemingway, Truman Capote, and a circle of Romanian thinkers — Cioran, Ionesco, Fondane — made it their quieter alternative to the café next door. Later, Karl Lagerfeld would sit alone downstairs reading Vogue for hours. In 1994, writer Frédéric Beigbeder inaugurated the Prix de Flore, a literary prize the café still awards annually.

People & landmarks

Who and what shaped it

People who shaped it

Jean-Paul Sartre
Used the first floor as his primary office and home during the 1940s–1950s with Simone de Beauvoir.
Simone de Beauvoir
Spent whole days on the first floor with Sartre, describing it as their 'home' during the existentialist period.
Guillaume Apollinaire
Coined the term 'surrealism' on the café's terrace in discussion with André Breton, Louis Aragon, and Paul Reverdy.
James Baldwin
Wrote much of 'Go Tell It On The Mountain' (1953) while drinking cognac and coffee on the second floor.
Pablo Picasso
Regular during the surrealism era in the early 20th century.
Albert Camus
Retired to Flore as a quieter alternative to Les Deux Magots during the 1940s–1950s.
Ernest Hemingway
Frequented Flore as a quieter alternative to Les Deux Magots during the existentialist period.
Karl Lagerfeld
Would read Vogue alone for hours at a downstairs table from the 1960s onward.
Joris-Karl Huysmans
One of the first well-known regulars in the late 19th century.
Remy de Gourmont
One of the first well-known regulars in the late 19th century.

Landmark buildings

Les Deux Magots
Rival café located 44 metres away on Boulevard Saint-Germain; opened two years before Flore in 1883.
Practical

Plan your visit

On the map

When to go

Right now

22°C
Partly cloudy
Sat
30°
19°
Sun
25°
15°
Mon
25°
13°
Tue
26°
14°
Weather data: Open-Meteo

Background & history adapted from Wikipedia (CC BY-SA) · specs from Wikidata (CC0) · weather from Open-Meteo · map data © OpenStreetMap contributors · photos from Wikimedia Commons / Unsplash with per-image credit. No third-party reviews or social posts reproduced.

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